This version, along with Solomon Burke's, is the standard by which all others are judged. I'd lay dollars to donuts that this version inspired all the covers.

Solomon was the quintessential southern soul singer, and he almost takes the top title away from Dorsey. His version features slicker production, courtesy Allen Toussaint.

Although I can't dig the vocal performace Joe gives, the music is fantastic, and makes this version a must have. Hands down, this is the best jazz take on this cut, better even than Toussaints own.

This version is not really worth digging up. It's listenable, and bits of it sound a little like "Cold Feet" to me, but its definately not at the top of my list.

Like the Jerry Garcia version, this isn't for hip-hop heads, yet definately worth a listen. Nice instrumentation and singing.

Unconditionally, I hate this album. I hate every song on it. Sure the intro is nice, but that damn organ irritates the hell out of me.

Just my opinion, but I like the incredibly horrible singing on this cut. And, as a bonus, you get a nice, clean, open drum break, just how we like 'em.

This is an uptempo jazz take, very busy musically.

A live version with nice intro drums kick off a rollicking frat-rock version. Of the Rock oriented versions, this is the best.

The word that keeps coming to mind to describe these drums is "Sexy"! Damn fine find, it's unfortunately the only break on an otherwise mediocre album. I can't decide whether or not Mad Lion's "Take it Easy" jacks this beat or not...

A late sixties rock and soul band, composed of some of the former members of the Kingsmen. Thier version kinda simmers, just bordering on boiling: you can get away with that every once in a while, and this cut definately does.

This one passes musically, but leaves everyone's favorite drum line wide open for jacking. Recommended.

A sweet little take on Lee Dorsey, this is one of the few covers of soul classics this guy didn't f--k up. Mark this one a "diamond in the rough."

This version is on the edge of collectability. Grooves, but doesn't go anywhere. A must for completists, and for most beat diggers, but not all.

Rare, and damn hard to find version by a Dutch rock/pop group. Worth escavating.

Rare, and damn hard to find version by a soul/jazz group. Still wondering who Dee Dee is.... Thanks go to Palle Zetterstrand for the hook up!

Nice version by a very versatile white rock/soul/jazz group. This version does a nice job of going off on a tanget, while not totally disregarding the original.

The album pictured doesn't have this cut on it. Very poor sound quality on my copy.

Freddie doesn't give the drummer any on this cut, which is bad, cause the drum line is kinda nice. Very nice vibe on this one. Recommended.

This version has a good strong intro break, nice horns, bass and piano.

Nothing to get excited about on this one. As rare as it is overpriced, nothing on this version really got my juices flowing. Competant, but uninspired. Keep in mind, my opinion differs widely from many others.

One of the worst, mushy effects banded with annoying horns, with only passable vocals, its sole saving grace is a nice clean drum intro.

I lucked across a copy of this at a local record shop, and the guy behind the counter was nice enough to let me listen to it, stickered at $20. It's still at the store.

Recorded in 1965 at George's Club 20, located in Hackensack New Jersey, the immortal Jimi Hendrix is backed up by Curtis Knight and the Squires. The sound quality kind of bites and the music is not too inspiring. It is hard for me to take this song seriously.

This is the second live version I have unearthed. This one bumps! It's got a rollicky bassline and shows the versaitility you can get out of covers of this tune. I'm very pleased with this one.

If you know anything about Garage style rock and roll, you already have a good idea of what this one sounds like. Borderline stiff vocals sung over average playing.

What the hell is this? For some reason, this album is considered collectable. I call it a muddled mess.

Two versions on one album. The first is a competant rock version, with a tempo a little too slow for my taste. The second is Popeye singing to Olive Oyl. There's a certain comedy/relief value to that, but no beat...

Chronologically, I think this is the first recording of the song, A 45 released on Bell records in the late sixties, it's a break heavy bonanza of New-Orleans style funk.

A mix of contemporary Jazz and modern New Orleans funk, this is the only listenable version produced after the late seventies.

Recorded in New Orleans, but by a Jamaican vocal group, this cut is a style of it's own. Nice horn arrangement.

I've heard two live versions by Mountain, neither with incredible singing. nor the most capable musicians. One of them has decent drumming.

In this cold, cruel universe, there exists a perversion of any joy. Here is a rigorous musical proof.

Not the greatest version, it has no drums and only decent music. Certainly not a hole in your collection, pick up only out of a dollar bin, if that.